Author: Jeremy Borum
Topic: Film Composition
Publisher: Rowman & Littlefield
Available Formats: Paperback, Hardback, eBook
Page Count: 270 Pp.
MSRP: $30
Expected Release: Available Now
Official Website: Click Here
Sample Chapter: N/A
Special Discount: Click Here
Critique Issue: Issue #111 (06/15)
Critiqued By: Gabe Gibitz
Final Score: 8.8
Scoring music for film is quite an overwhelming task, and Jeremy Borum sets out in his new book, Guerrilla Film Scoring, to demystify the process and help budding film composers navigate the tumultuous waters of the ever-changing film scoring business. (Some may see the waters as tumultuous, but I think Borum would see this as an open door for massive change in the industry…and, to that, I would agree.) His introduction sets up the framework of the entire book in saying, “Although a study of the Hollywood machine is interesting, it’s ultimately not very useful” (xi). The rules that applied 20 years ago are a frail, dying structure upon which to build a film career. Though Hollywood budgets still exist, the average film composer will find much more work in micro-budget films.