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Filmmaker's Dictionary - P

Packaging:  
A combination of several creative elements such as a script, actor/s, and director which is used to attract interest in a production for the purposes of obtaining financing or distribution.
 

PAL (Phase Alternating Line):  
The European color television standard that specifies a 25Hz frame rate and 625 lines per frame.
 

Pan:  
A horizontal movement of a camera on a fixed axis.  

Parallels:  
Temporary Scaffolding, used as a platform for the camera, lighting, or other rigging. (Grip/Lighting)
 

Pay or Play:  
A contract provision which commits the production company to compensate a cast or crew member for a project whether or not that project ever goes into production.
 

Phase Distortion:  
This is a shifting of output voltage relative to input by an amount which is disproportional to frequency. This will not detectable until it an amplifier. (Acoustics)
 

Phase shift:  
The displacement of a waveform in time. Some electrical components introduce phase shift into a signal. When various frequencies are displaced differently, distortion occurs. Electrical cancellation may occur when two equal signals are out of phase by 1~3()¡. However, this may also be used are a encoding method where the shift is removed on playback (similar to the method in which a Dolby Surround sound track is encoded and played back. (Post Production)
 

Phantom Power:  
A method of remotely powering the preamplifier or impedance converter which is buitlt into many microphones by sending a voltage along the audio cable. (Audio)
 

Phase:  
The timing relationship between two signals. (Audio/Electronics)
 

Pick-up Shot:  
Reshooting a portion of a scene, the rest of which was acceptably filmed in a previous take.
 

Pilot Tone:  
A sine wave signal, recorded by various field audio recorders at a known frequency, which is used to resolve the tape speed on playback to retain sync with film camera footage.
 

Pin:  
A component of a camera or printer mechanism which engages with a perforation hole to move and locate film for exposure.  

Pink noise:  
A sound signal that has an equal amount of energy per octave or fraction of an octave. (Sound)
 

Pitch:  
The distance between two successive perforations along a strip of film.(Film) The frequency of audible sound (Sound).
 

Plate:  
A background for any type of process shot. (Laboratory)
 

Playback:  
A technique of filming music action first, the playing the music through loudspeakers while performers dance, sing, etc.
 

Positive Scratch:  
The black image on a print of a scratch on the positive from which the print was made. (Film Editing)
 

Post-Production:  
The period in a project's development that takes place after the picture is delivered, or "after the production." This term might also be applied to video/film editing or refer to audio post-production.
 

Practical:  
Any light that appears in the scene. (Lighting)
 

Preamplifier:  
An electronic device that boosts extremely weak signal voltages, such as those from microphones or mag heads, to a level that is usable by power amplifiers. (Electronics)
 

Pre-Blacked:  
A video tape which has already had a control track, usually with SMPTE encoded time code, but without any picture or sound. This is done to facilitate the video editing or assembly process.
 

Prescoring:  
Recording of music or other sound prior to the shooting of the picture which is to accompany it. The most common usage is in animated film. (Sound)
 

Principal Photography:  
The main photography of a film and the time period during which it takes place. (Production)
 

Printing Sync:  
The relation between the picture and sound components in which they are printed to give the necessary displacement for projection as a composite print. (Laboratory)
 

Prism Shutter:  
A device used on many film viewers, editing machines, and some high-speed cameras, consisting of a rotating prism of four or more sides through which the viewer light passes as film is pulled continuously through it. (Film Editing)
 

Process Shot:  
A shot that will be composited from two other shots. The background part of this process is called a 'plate'. (Laboratory)
 

Production Dupe:  
A duplicate negative prepared in the final form for release printing. (Laboratory)

Production Sound:  
Recording and/or mixing sound on location during the film or video shoot. Typically this has been recorded to an analog Nagra reel-to-reel machine, though DAT recorders and other digital formats are now making significant inroads.
 

Projection-Contrast Original:  
An original reversal film which is designed to have normal contrast when projected. (Film Editing)
 

Projection Leader:  
A short length of film having standard markings on it, used to enable projectionists to make instant changeovers from one projector to another. (Film Editing)  

Punch:  
A device for punching a hole in film leader to locate a starting point for editorial or printing synchronization. (Film Editing). Also refers to specular light. (Lighting)
 

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