Top of Sidebar
Mission Statement
Books, Equipment, Software, and Training Reviews
Film Critiques
Community Section
Savings and Links
Editorials
Archives
Bottom of Sidebar
Back to the Home Page
Compressing Video for the Web Using Premiere Pro 2, Pg. 2

Next, go down to the Basic Video Settings and change the frame rate to 15 fps.

Follow this up by going down to the Advanced Settings. It currently has '208.00' selected, which is optimized for broadband modem sizes. If you want to make the size smaller and more likely to be downloaded by a 56K modem, you should choose '100.00'. Tweaking this area is one of the easiest ways to get smaller file sizes, but you need to do a number of test renders to make sure you don't lose too much quality. (If you want to see the difference of these two main bitrates on a clip from a reality-show based project I'm working, I've enclosed links at the end of this article.)

Finally, you should select 'Deinterlace' in your Output export settings, as this will help prevent interlace artifacts.

The final thing to decide before you click 'OK' in the Export Settings window is whether you want to use Noise Reduction. The idea is that if certain levels of detail are blurred, then the overall file sizes won't be as large. I'm not a big fan of it, as too much detail tends to get lost. If you decide to go with it, click the 'Filters' tab next to the 'Video' tab, as seen below.

Other than that, you're ready to click 'OK'. You don't want to try to compress your audio and you don't want to turn off the two pass compression or the audience compression.

So there you go. You have now converted a video clip to Windows Media Video at a decent size and at a decent quality. While every render is different, as you will see from the following, my cropped 1.85:1 clips that were each 1 min 50 seconds long came out to 2.01 MB at the 100 Kbps rate and 3.49 MB at the 208 Kbps rate.

God bless and happy compressing!

JeremyHankePicture The director of two feature length films and half a dozen short films, Jeremy Hanke founded Microfilmmaker Magazine to help all no-budget filmmakers make better films. His first book on low-budget special effects techniques, GreenScreen Made Easy, (which he co-wrote with Michele Yamazaki) was released by MWP to very favorable reviews. He's curently working on the sci-fi film franchise, World of Depleted through Depleted: Day 419 and the feature film, Depleted.

 

Mission | Tips & Tricks | Equipment & Software Reviews | Film Critiques
Groups & Community | Links & Savings
| Home


Contact Us Search Submit Films for Critique