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Color Correcting Using Vegas, Pg. 4
Image Washed Out

Original Image washed out. This is the opposite problem of the first image that also can easily be corrected by applying levels and curves. This time the highlight and shadow regions have slopes in reverse direction and the shadow and upper midtone area is shifted further down near the upper portion of the shadow area. This type of "S" curve boosts the washed shadows the most and also helps out midtones more than highlights. A minor adjustment to tweak levels and do a simple color correction to warm up the image, redo levels a bit and we're well on our way to having a much improved video.

While most videos can be corrected by staying within the RGB channel you can make adjustments to the red, green and blue channels separately. This can be especially useful if you can't seem to get color balance right. Start by dropping the Color Balance filter on an event and work with the midtones, then move on to add a separate filter for shadows and/or highlights if needed. Future tutorials will show more advanced tips, but you should understand the basic correction methods explained in this tutorial first.

Tip: To adjust levels start with Gamma which can be found under the Levels filter. You rarely should have to go lower than .800 or higher than 1.200. If after adjusting Gamma and applying Color Curves you may wish to make slight adjustments by increasing the Input Start slider (under Levels) if you image is still a little washed out or by increasing Output Start to lighten the image further if it still seems a little bit on the dark side.

The "S" curve gets its name from its shape more obvious in this example than the other, however as you can see it is a flattened and sloped S shape. This one goes in the opposite direction than what we used to correct a image that was too dark. In the example it is dragged slightly down and to the right of center.

Additional control points can be added anywhere along the line to more precisely adjust just shadows, midtones on highlight areas. You can begin with a preset and adjust off of those if your prefer. You may wish to make several custom "S" curves to adjust for common conditions with each "S" a little different. While it takes some practice and some trial and error, this form of adjustment is far superior to using contrast and brightness by itself which effects the entire image a like amount. Using Color Curves combined with levels you get to pick which area of the image gets adjusted.

(This article has been reprinted with permission from http://www.wideopenwest.com)

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