Top of Sidebar
Mission Statement
Books, Equipment, Software, and Training Reviews
Film Critiques
Community Section
Savings and Links
Editorials
Archives
Bottom of Sidebar
Back to the Home Page
Releases and Permissions, Pg. 4

3. Ask for the release before you film
Always ask for a model release before you start filming. For some reason it is very difficult to get people to sign model releases after filming is complete.
Simply say, “I need a release before I can use your image. Is that OK with you?” If the person hesitates or says no, my personal choice is to smile, thank them for their time, pack up and leave.

My own experience is that there is only one acceptable answer to the question “Will you sign a release?” An enthusiastic, “Yes! Where do I sign?”

4. Never take a promise instead of a release
Occasionally, people will refuse to sign a release before filming, but promise to sign later. They usually say something like, “We can take care of that later, I’m easy to find.”

When you go back to that person later, there is a good chance that they will either flat-out refuse to sign, and in some cases, they may even demand a payment for their release. In both cases, I believe the best response—if possible—is to re-edit the film and remove that person’s scenes from the film.

5. How to find an entertainment lawyer
Ideally, you should find an entertainment lawyer the same way you would find a dentist: Get a reference from someone you trust. Talk to another filmmaker, or to a producer and ask them if they can recommend someone they’ve worked with.

The laws and regulations relating to permissions may be different depending on exactly where you film. Laws and regulations can vary in different cities, counties, states, municipalities or countries. When you look for an entertainment lawyer, find one who knows the laws and regulations of the places where you plan to film.

Findlaw.com is a great online legal resource, and another way to find an entertainment lawyer. Go to the Findlaw.com home page and type “entertainment” in the search box. Findlaw will display a list of entertainment, sports and leisure lawyers by city.

A good way to find an entertainment lawyer is through your local non-profit filmmaking organization. Some non-profit filmmaker’s organizations even offer a free introductory consultation with an entertainment lawyer to as one of the benefits of membership. Even if they do not offer such a meeting, there is a good chance that other filmmakers in the group might be able to give you a personal referral to an entertainment lawyer. You can find filmmaking organizations in the Filmmaking section of Google Directory

6. Get the right release forms
The best source for a release or permission form is an entertainment lawyer. It can be risky to rely on “stock” or “boilerplate” forms, since every production is different, and every contract is different. A skilled lawyer can give you the exact forms you need, with the exact language you need for your specific production.

7. Resources
Pocket Lawyer for Filmmakers , 2007, Thomas A. Crowell, Esq. An excellent, well-written book by someone who has worked as both a producer and a lawyer. The Microfilmmaker review of this book says it all: “Microcinema filmmakers are especially vulnerable to potential legal problems because of a general lack of legal knowledge and/or resources. For this reason, The Pocket Lawyer for Filmmakers is a must-have…”

Findlaw.com A great online legal resource and a way to find a lawyer.

Google Directory for Filmmaking Organizations A way to find your local filmmaking organization.

San Francisco Film Society: Producer Track Classe . This Northern California organization is a good example of a well-funded non-profit filmmaker’s organization. Like most non-profits, SFFS offers regular classes and workshops in all aspects of filmmaking. Their Producer Track classes include several in which entertainment lawyers explain the legal issues faced by filmmakers.

Next Month:
Film Promotion 2.0: Getting Your Film Out Into The World

Copyright Tony Levelle 2010

Signature Inspired by such available-light and low budget films like Robert Rodriguez's El Mariachi and Jon Jost's Frameup, filmmaker Tony Levelle set out on a mission to learn how to do the same. He had the good fortune to attend a seminar by Dorothy Fadiman who not only finished all the films she started and got every film into distribution, but kept them there! He eventually worked with Fadiman and his co-authored book - PRODUCING WITH PASSION: Making Films That Change the World - is the result of their collaboration to share these techniques with others. The quality of this book so impressed the publisher (MWP) that even before it was finished they signed Tony to solo author DIGITAL VIDEO SECRETS: What the Pros Know and The Manuals Don't Tell You. Tony exemplifies the qualities all filmmakers need to survive: passion, persistence and vision.

Mission | Tips & Tricks | Equipment & Software Reviews | Film Critiques
Groups & Community | Links & Savings
| Home


Contact Us Search Submit Films for Critique