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Software Review: SonicFire Pro, Pg. 3

Performance
One of the especially cool elements of SFP4's performance is the ability to preview songs in your timeline from SmartSound's massive online library in your composition before you buy it. If you have a broadband connection, this really helps you make sure that you're getting the right song for your film so that you're not wasting needless time and money on songs that won't fit the bill.

Another cool element of its performance is the ability to shift your screen and dock panels in different places, which is very reminiscent of the new features in Adobe Production Suite. Unfortunately, the option to restore your panels to their default positions does not seem to work properly, as I had to re-shuffle panels around and keep hitting that option before I was finally able to get everything back to their original settings.

The overall performance of SonicFire Pro 4 is great but, like the options section, there are a few areas I would like to see some work done to improve in future versions.

For example, the size of the multi-layered songs is pretty gargantuan. A DVD of 44khz single-layer songs with all their variations comes in at about 400MB whereas a DVD of 48khz multi-layer songs comes in at about 3.3 Gigs. That means that you're having audio files that are competing with video files on size. Although you can listen to each song straight from the DVD, through the playing software, most of us would prefer the seamlessness of having them downloaded into our computer. While there are a huge number of options programmed into these multi-layer songs, coming up with a way to shrink them a bit will help out a lot with this issue.

Another area that I would like to see some improvement is in the area of transitioning between 'Moods' when alternate instrumentation is involved. For example, if you go from the 'Drum & Bass' mood to the 'Lead & Accoustic Guitar' mood, rather than the drum and bass ending organically as the guitars commence, the Drum & Bass volumes just lowers digitally while the volumes of the guitars raise opposite it. This leaves a very digital transition that is pretty unappealing. You can lower the transition lengths to try and get past this, but there's a real tendency to have clashing beats in this situation, which requires a lot more finessing and gets back into the realm of the experienced audio technician. Of course, you can avoid this issue by transitioning into a more full mood before going into a different sparse mood, but this is a bit annoying.

In this same vein, it would be awesome to see if SmartSound can come up with an algorithm to make volume adjustments sound as though they are effecting the actual loudness or softness at which the instrumentation is being played. As it is right now, volume adjustments, especially fade ins and fade outs, have a tendency to sound noticeably digital.

Value
At only $199 for the Standard Edition of SonicFire Pro 4, SmartSound is the first company I've ever seen that's actually lowered their price on a new release of a program rather than raised it. (The Standard Version of Sonicfire Pro 3 was $249.) With the Standard Edition, you get their first two CDs of multi-layer music and then can purchase additional tracks and/or CDs as you need them. The $399 Filmmaker's Edition is a great deal if you've got a fast Internet connection, because it gives you the two core CDs found in the Standard Edition plus it allows you to download 15 tracks from their entire library. (According to SmartSound, they publish an entire new CD worth of music every month from which you can choose songs.) Either way you go, SonicFire Pro 4 is an amazingly economical way to go for coming up with a scoring solution that won't confuse you.

Final Comments
SonicFire Pro has been a useful program in the past, but now that it's added multi-layer support and Mood Mapping, it's become a must own for Indie filmmakers--especially at the extremely reasonable price it's now being offered at. Even if you're a purist and have a composer that you want to compose the final mix for you, this program will allow you to create a wonderful pattern for him or her to compose from, yielding a much more satisfactory experience for everyone. At the very least you owe it to yourself to download the demo and play around with this powerful program a bit.

To view a video clip utilizing three different multi-layered songs to create three different styles and feelings, click here to watch a clip from a reality show-based documentary I'm working on.

 
Ease of Use            
9.0         
Depth of Options            
9.0         
Performance            
9.0         
                        Value            
           9.0         
Overall Score           
  9.0         

JeremyHankePicture The director of two feature length films and half a dozen short films, Jeremy Hanke founded Microfilmmaker Magazine to help all no-budget filmmakers make better films. His first book on low-budget special effects techniques, GreenScreen Made Easy, (which he co-wrote with Michele Yamazaki) was released by MWP to very favorable reviews. He's curently working on the sci-fi film franchise, World of Depleted through Depleted: Day 419 and the feature film, Depleted.


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