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Software Review: Magic Bullet Suite 2, Pg. 3

Performance
Magic Bullet Suite 2 does an amazing job of making DV and HD footage look like film. While they do recommend that you shoot your DV like film, with proper lighting and exposure, the program did an amazing job even with less than stellar footage that hadn't been lit very well. With properly lit footage, it's pretty darn impressive.

While the end result is pretty amazing, the performance to get there is a little draining. To begin with, this program is very, very slow. The more RAM and CPU power you can roll with this, the better! To give you an idea of what we're talking about, we decided to test a version on a system that would be similar to what many of our readers would still have, so we put it on a 1.8Ghz P4 with 512 MB of RAM and looked at how fast it rendered. It took about one hour for 30 seconds of footage to render. (That's 180 hours of rendering for a 90 minute movie.) So, if you have access to a Pentium-D dual-core with a gig or two of RAM, you'll be much happier!

The other issue results from a rather confusing rendering queue that has a tendency to bloat your file size if you're not on the ball. When you put your Bullet-ed footage into your render queue, you are most likely going to be tempted to choose 'Lossless' compression. However, if you do that, you will find that your file size will jump up a staggering 6.25 times larger than it started. While this might not be a bad idea in certain situations, it's not a good idea if you're trying to not over-fill your hard drive. (To give you an idea, a 90 minute film weighing in at 18 Gigs will end up at 112 Gigs if you render it in lossless compression.) Instead, choose 'DV Compression' and you'll get the correct size file. (Thanks to Ryan Graham for helping me realize the fix for this issue!)

Despite these issues, Magic Bullet delivers an amazing product. You just have to make sure that you have a fast enough computer (that, or expect to be waiting for over a week for the render to take place, praying that your computer doesn't crash!) and that you remember to switch it to 'DV Compression.'

Value
The value in this program is in having, basically, a one-plugin solution for making your film look and feel as much like actual film as possible. While it's not as inexpensive as some other 24 fps conversion programs that I've seen, it's one of the most amazingly clean and strong that I've seen. $800 is a lot of money, but a lot less than the $3000-plus price tags I've seen at many of the film-simulation firms for a single film. Plus, you get a whole lot of color-grading options that are a whole lot extra at any of those firms.

Honestly, unless you've got Panasonic's new HVX200 (which is the only sub-$10K camera that actually shoots in true 24 fps), at which point Magic Bullet Editors 2 would be fine, you should at least try the demo of Magic Bullet Suite 2 and see if its features wouldn't pay for themselves in your production company.

Final Comments
Due to the fact that you get all the features of Magic Bullet Editors 2, plus a clean deinterlacer and true 24 fps conversion, Magic Bullet Suite 2 definitely rates a look for any microfilmmaker, despite the high price tag. I was really impressed by its overall performance, despite it's speed and cost issues, which is saying a lot. Download a copy of the demo and see if you don't agree.

 
Ease of Use            
7.0         
Depth of Options            
10.0         
Performance            
8.0         
                        Value            
           7.5         
Overall Score           
  8.1         

JeremyHankePicture The director of two feature length films and half a dozen short films, Jeremy Hanke founded Microfilmmaker Magazine to help all no-budget filmmakers make better films. His first book on low-budget special effects techniques, GreenScreen Made Easy, (which he co-wrote with Michele Yamazaki) was released by MWP to very favorable reviews. He's curently working on the sci-fi film franchise, World of Depleted through Depleted: Day 419 and the feature film, Depleted.

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