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Software Review: CS3: Production Premium, Pg. 5

The deceptively powerful feature I mentioned in Illustrator CS3 is one that I hope migrates to every other program in the CS4 lineup. It’s called LiveColor. This is basically a new color guide that teaches you color theory by allowing you to choose a primary color and showing you what colors go with that color for different types of designs. The amount you will learn from this is amazing and is really crucial in setting up color schemes for everything from your production company website to costumes on your film to the DVD case for the film. For folks who are interested in seeing some popular color setups that different users have already created with this feature you can go to: kulor.adobe.com

OnLocation CS3 gives CS3: Production Premium the ability to extend into the production level of your films, not just the post-production area its predecessor occupied.

OnLocation CS3
OnLocation is one of the two Serious Magic acquisitions (along with Ultra) which has been included in CS3: Production Premium. Other than the name change, it is still exactly the same as it was when Serious Magic owned it. Unfortunately, from the perspective of folks who are used to using programs with Adobe’s streamlined layout, this is going to feel very clunky, as you have no top menu to choose from. Instead, all of your choices are accessed either by a right click menu or by a shortcut key. Unfortunately, the most crucial option in the software isn’t in any menu that we could find and can only be accessed by a shortcut key, so, if you happen to be shooting and don’t have your manual with you, you could be in trouble. The crucial option in question is the ability to switch from previewing clips to actively viewing through your camera, which is essential for any sort of onsite logging of takes and typing in XML data. If you don’t know that pressing ‘F7’ is the shortcut key for this feature, you literally have to reboot the software each time you want to switch from viewing a clip to looking at your camera’s live perspective.

Once you get past this initial hiccup, OnLocation is a great asset. I co-directed a film recently with it (which you can read about in this issue’s article) and loved being able to capture our footage directly and type in information on the best takes. Besides being able to monitor everything you’re shooting with professional guides, two zera options, color monitors, and sound meters, there are a number of under-the-hood options that make this the best way to record footage for editing on the market. First off, OnLocation comes with a streamlined .AVI codec that automatically formats things for simple import into Premiere Pro. (It also has choices for a universal .AVI for other PC editors and .QT for other Mac editors, so you aren’t limited to only using Adobe’s products.) If you choose to take advantage of this Premiere Pro streamlined .AVI codec, OnLocation can actually interpret certain pulldown patterns and exclude frames on the fly. This is awesomely useful for folks using the very popular Panasonic DVX100 and HVX200 cameras, which have a special 24PA option that is designed to recreate true 24 fps after a special pulldown regimen is applied. Because OnLocation runs this pulldown automatically, you only record 24 fps per second, rather than the 29.97 that the camera tape is recording prior to the pulldown application. This translates into 20% hard drive savings. (Now, if you’re new to Panasonic cameras and own the DVX100, this only holds true to the 24PA setting. Some folks accidentally choose 24P, which will not have OnLocation remove the Pulldown from it on the fly.)

Another great under the hood feature is the option for flipping footage, which is extremely useful for 35mm lens adapters which shoot everything upside down, like Redrock Micro’s M2 and the P+S Technik Mini35. Because Serious Magic actually had a prior arrangement with Redrock Micro, there’s actually a specific Redrock Micro M2 preset as one of the footage flipping option. (Unfortunately, for Redrock Micro fans, the deal between Serious Magic and Redrock Micro fell through when Adobe purchased them. Hopefully, Adobe will set up a new arrangement with them, since it would make sense to have a basic version of OnLocation CS3 bundled with the Redrock Micro M2.) This makes setting up, focusing, and using 35mm lens adapters so much easier than it’s ever been before, especially since you can artificially zoom in on the screen to make sure you’re really in focus.

For Mac users, OnLocation is included in PC format (as there is no Mac translation of Serious Magic's software), so you will need to use Bootcamp or Parallels to make use of this software. I have no doubt that as Adobe conforms the Serious Magic programs to a more Adobe-style look for the CS4 release, they will also convert this package to Mac compatibility.

Check out our article on using OnLocation CS3 in this issue.

Ultra CS3
Ultra CS3 is the other Serious Magic acquisition, designed as a standalone keyer.  This is the only progam that Mac users don't get included with their package.  This is due to the fact that Ultra CS3 is a PC-only program that won't work with Bootcamp or Parallels. 

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