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Final Critique: The Televisual Man, Pg. 2

The great benefit in shooting a movie in this kind of Blair Witch-type format is that any technical flaws usually serve to enhance the movie's look rather than detract from it. Of course, the problem comes when a director goes over the top with this kind of film, ensuring that the audience will either end up with motion sickness or that they just won't understand the film at all. Fortunately, that is not the case with Televisual Man. The filmmakers show a clear knowledge of the medium, without taking it too far. Visually, this is a unique movie that does a good job at getting its message across.

Use of Audio
One of my favorite parts of watching this film was in the background score in the song "Creeping Emptiness Over The Street" by Amir Baghiri. The music had a great ethereal quality, and really matched well with the slow motion and fuzzy images.

Toward the end of the film there were a few moments of ambient sound that didn't seem to match either the audio or the visual images. The vague talking, traffic sounds, and bumping noises sounded like someone forgot to turn off the mic during filming, or that the chosen ambient noise for the scene got a little bit too loud. This, coupled with the fact that the ambient noise coming from the TV was minimal at best and didn't seem to match the visuals, seems a little out of place. As the television is such a key part of the message of the film, it might be a good idea to get rid of any other ambient noises, except for those that are coming from the TV. This choice may help to enhance the feeling that the watcher is so engrossed in his own little world that he is incapable of comprehending anything outside of the world of the television.

Use of Budget
I'm not sure how to address this aspect of the review as the budget is a bit vagbue. But judging from what the director said, this was just an experimental project that initially involved borrowing a friend's camera and playing around. In that case, it couldn't have cost a whole lot of money to make, and it obviously doesn't look like an expensive film. My guess would be that the greatest expense involved in making this movie would be procuring the music that was used, but as the director mentioned that the artist was a friend of his, that couldn't have cost a whole lot of money, either.

Creative looks at
the television...
...and sci-fi shots of the watcher,
are very indicative ot this short.

Lasting Appeal
This is a very interesting short film. It conveys a message that most people will be able to understand, and the filmmakers did a very good job at getting the medium to match up with the message - something that is vitally important to artsy films like this, but at times can be very tricky to pull off. The only issue these filmmakers may face is not finding too much acceptance in mainstream audiences, but I'm sure that there are plenty of people with an appreciation for art and indie films who would like this kind of movie.

Overall Comment
The most compelling thing about Televisual Man is that it uses the visual medium in order to indict the ways in which the visual medium can be misused. It can be over-used to play Big Brother on the public, something that infuriates a lot of people; but if surveillance cameras are absent in a particular area and a crime occurs, the public is always quick to point the finger at the police for not surveying that location. Also, the visual medium of television can be used to relay important information to a large number of people; but it can also become an addictive source of mindless crap that people spend far too much time in front of, causing them to live in the fantasy world of television. And our society's obsession with reality TV has made this problem even worse. This film uses a very simple format to get its point across, and does it in a very visually interesting way.

 
Content            
      6.0         
Visual Look            
      9.0         
Use of Audio            
7.0         
Use of Budget            
10.0         
           Lasting Appeal            
           8.0         
Overall Score           
  8.8         
How do we critique films? Click Here To See.

The author of half a dozen screen plays, two novels, and a proficient camera-woman in her own right, Monika DeLeeuw-Taylor is Microfilmmaker's lead writing analyst and one of our top film reviewers. When she's not writing a critique for Microfilmmaker, she's writing screenplays for Viking Productions.


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