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Final Critique: The Wooden Gun, Pg. 3

Use of Audio
The music is this film was amazing. It really reminded me of the music of the spaghetti westerns, yet there were some dramatic and fanfare-type strains that were similar to even older westerns. It also matched the scenes really well. I especially loved the sort of flamenco-esque music during a love scene between Jake and Stella - it meshed perfectly. If the filmmakers ever release a soundtrack, I will buy it!

There were a few minor audio issues, however. Occasionally the dialogue would fade in and out in places, and sometimes the ambient noise was a little too loud, then it would drop out too quickly, as though audio gating software with too rapid an attack was trying to compensate after the fact. Also, the sound effects for the guns weren't always consistent - sometimes they would sound more like real guns, sometimes they sounded like firecrackers. It doesn't really matter whether or not the guns sound all that realistic - just so long as the sound effects are consistent.

Shooting with horses, as well as shooting in Nebraska...
...are both costly elements for a
$10K movie shot on 16mm film.

Use of Budget
Considering the meager $10,000 budget, this film had a fairly good-sized cast--which bears the ear-mark of the first co-director (and co-star) of the film, Michael Kastenbaum. Kastenbaum is known in Los Angeles micro-cinema circles for starting Zero Pictures, a company that works as a turn-key filmmaking company for no-budget directors. They've gained renown as the hired guns of the micro-budget community.

The acting of the main characters was very good; I'm impressed that the filmmakers were able to find such skilled actors on such limited funds. (Of course, the fact that the co-directors co-starred as the main leads in the film saved a lot of money, I'm sure.) And, of course, they had to fly at least the main characters and crew to Wyoming from LA. Then, of course, the original score - which is excellent - couldn't have been cheap. And - the most impressive element of the whole film - the horses! They say never to act with animals, children, or Stewart Granger, so I'm amazed that these filmmakers took the ambitious step of using horses so often in the film (of course, it's nearly unavoidable in a Western.) In any case, that couldn't have been cheap, so I'm impressed that they were able to get this much use out of the horses and that they were so well-behaved.

There are a few contrast issues, some re-edits, and a few audio problems that could be addressed in post, though they should be minor enough to not cost too much more money.

Lasting Appeal
As I said, I was raised on Westerns, and I'm sure that many of my friends and family members would really enjoy this movie. I've been disappointed by too many of the newer westerns because they simply don't measure up to the standards that I'm used to in the old classics. Fortunately, The Wooden Gun does not fall into that category.

Conclusion
This film does an excellent job of mixing the black and white film, wide vistas, and classic looks of the old-school westerns with the darker anti-hero characters, emotional moments, and tragic elements of the newer spaghetti westerns. Each of these eras have two distinct and beautiful styles, and for the filmmakers of The Wooden Gun to find a way to combine them is quite impressive. There a few minor elements that could stand to be fixed, but overall this is an amazing creation - I would pay money to see it on the big screen!

 
Content            
      9.1         
Visual Look            
      8.5         
Use of Audio            
8.8         
Use of Budget            
9.0         
           Lasting Appeal            
           9.0         
Overall Score           
  8.9         

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