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Final Critique: Consumption, Pg. 3

Use of Budget
Five thousand dollars may seem like a decent amount of money for a short film with two actors and one set, but nearly half of that budget went toward special effects and equipment, which was certainly a great investment as the special effects looked amazing, and the film had very few audio or visual problems. The other half of the budget went toward the score - also a good choice, as it was an excellent piece of music.

And the true nature
of the experiment...
...Is almost impossible
to believe.

Lasting Appeal
This film is very, very high as far as "creep-out factor" goes. For those who enjoy films on the more disturbing end of the spectrum - something like the director's cut of The Devil's Rejects (minus the extensive sex scenes) - this movie might land in their favorites pile. For more squeamish viewers, or those like me who have overactive imaginations, it could definitely get far too disturbing to watch. The tension certainly keeps an audience on edge, although the more impatient could get bored.

The special effects are very impressive, if not a bit graphic, and though there are a few visual issues, they aren't major. Perhaps the biggest issue is the cryptic dialogue that could be annoying to some viewers.

Overall Comment
Consumption is disturbing, graphic, and unsettling. But it is also highly provocative, oddly sensual, and very thought-provoking. It may be far too much for some viewers, but, for others, it will likely spark a desire for intense conversation and philosophizing about taboo behaviors. Take care though, this film is not for the faint of heart!

 
Content            
8.1
Visual Look            
8.9
Use of Audio            
8.3
Use of Budget            
9.2
           Lasting Appeal            
7.9
       Overall Score
8.4
How do we critique films? Click Here To See.

The author of half a dozen screen plays, two novels, and a proficient camera-woman in her own right, Monika DeLeeuw-Taylor is Microfilmmaker's lead writing analyst and one of our top film reviewers. When she's not writing a critique for Microfilmmaker, she's writing screenplays for Viking Productions.

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