Blackmagic Design today announced that Le Rêve Films, an award winning wedding filmmaking company, relies on a Blackmagic Design post production workflow to service the ultra luxury wedding market. Leveraging the power of Blackmagic Cloud Store Mini and Blackmagic Cloud Pod network storage solutions, Le Rêve Films' post production team seamlessly collaborates both locally and remotely with DaVinci Resolve Studio and Blackmagic Cloud, helping to create unforgettable video content for its clients.
Fontys Guides Future Journalists with a Live Production Workflow from Blackmagic Design
Blackmagic Design today announced that the MindLabs research facility in the Netherlands is home to a new state of the art television studio facility built by Fontys Journalism around Blackmagic URSA Broadcast G2 cameras and the ATEM Constellation 8K live production switcher.
Peacock’s Twisted Metal Graded With DaVinci Resolve Studio
Blackmagic Design today announced that the first season of streaming service Peacock’s “Twisted Metal” was graded by Senior Colorist Charles Bunnag at post production house Light Iron, part of the Panavision group of companies. Bunnag used DaVinci Resolve Studio editing, grading, visual effects (VFX) and audio post production software, as well as DaVinci Resolve Advanced Panel, for the final color grade of the show.
Hit Amazon Film Totally Killer Shot Using URSA Mini Pro 12K OLPF and Pocket Cinema Camera 6K G2
Blackmagic Design today announced that the Amazon Prime original hit new film “Totally Killer” was shot using Blackmagic URSA Mini Pro 12K OLPF and Blackmagic Pocket Cinema Camera 6K G2 digital film cameras. DP Judd Overton used the cameras, along with DaVinci Resolve Studio, to capture action, splinter unit and slomo shots in the hugely successful time travel horror comedy.
Docuseries Law of the Goat Shot with URSA Mini Pro 12K
Bitten by the creative bug early on, Alex Zarfati began his artistic journey as a lead singer and guitarist. Always one to appreciate the relationship between audio and video, he knew his band needed a music video to accompany their single, so he took a shot at filming and editing one.
RTL2 Anthology Series Beyond Belief: Fact or Fiction Season 6 Shot on URSA Mini Pro 12K
In this exclusive interview, we sit down with showrunner Holger Frick, co founder of Superama Filmproduktions GmbH, and Director of Photography Edward Salerno Jr., who share their insights into the creative process on RTL2’s “Beyond Belief: Fact or Fiction,” the challenges faced and the technology that made the sixth season possible.