Blackmagic Design today announced that Chilean production company AGTV relied on four Blackmagic URSA Mini Pro 12K digital film cameras to capture the hit telenovela “Hijos del Desierto.” Shot in Blackmagic RAW, critics praised the series for its outstanding production quality and captivating color palette, which were made possible by AGTV’s strategic choice to use Blackmagic Design cameras.
Blackmagic Design today announced that the new horror film “Godless: The Eastfield Exorcism” was completed using DaVinci Resolve Studio for color correction, editing, visual effects (VFX) work and audio editing. This included extensive use of the DaVinci Neural Engine’s AI features, Fairlight Desktop Audio Editor console, DaVinci Resolve Mini Panels and DaVinci Resolve Speed Editor keyboard.
Blackmagic Design today announced that Colorist Adrian Seery of production and post production studio HARBOR graded A24’s “Showing Up” with DaVinci Resolve Studio editing, color grading, visual effects (VFX) and audio post production software.
Blackmagic Design today announced that Blackmagic URSA Mini Pro 4.6K G2 and Blackmagic Pocket Cinema Camera 6K Pro digital film cameras were used to film the TV drama series “BLUE BIRTHDAY” on Kansai Television. The series was graded with DaVinci Resolve Studio editing, color grading, visual effects (VFX) and audio post production software using a DaVinci Resolve Advanced Panel.
Blackmagic Design today announced that live news footage for Law and Crime, a live trial network, is being shot with a Blackmagic URSA Broadcast G2 camera by Videographer William von Tagen. Since there are no second chances when it comes to breaking news, URSA Broadcast G2 helps von Tagen deliver on the requirements of a live ENG workflow, including its ability to easily shoot on the fly, regardless of the environment, as well as capture longform and archival content.
Blackmagic Design today announced that post production for the independent film “This Closeness” relied on a remote, collaborative Blackmagic Cloud driven workflow. With only five weeks to complete the edit, Post Supervisor/Executive Producer Pierce Varous of Nice Dissolve worked closely with Editor Brian Kinnes and Colorist Joseph Mastantuono, also relying on DaVinci Resolve Studio’s real time collaboration features to edit and grade the film in time for its premiere at the 2023 SXSW Film and TV Festival.
