New York City’s online marketplace for film, TV and commercial production locations multiplies with arrival of Set Scouter, giving producers direct line to massive inventory of residential spaces.
Wrangling the monster that is the Hollywood movie industry is no small feat. Professional filmmaker Alex Ferrari has encountered his fair share of production headaches, from last-minute project cancellations to the notion that a successful film requires a massive budget and huge stars. With today’s technology on his side, Ferrari began planning for an entirely different kind of project.
Last year, with the release of the film, Hardcore Henry (which was shot entirely with GoPro cameras in first person perspective), we decided that we were going to look at the different cost-effective sport and mobile cams on the market to see which ones were worth investing in for our readers. The gold standard in this market has been GoPro, who kindly provided us with one of their HERO4 Black cameras for this extended research article...
DP Steven Turco explains how he was able to maintain a dynamic, filmic look without exceeding the budget in Director Tre Manchester's film, "The Things We've Seen."
Packed with new features, the new version of SOUND FORGE Audio Studio presents a new look, new functionality, new edit modes, new plug-ins, new meters, and more.
Tungsten and/or HMI lamps are usually the workhorse units of a lighting package, providing the power that is needed to key-light all but the smallest of set-ups. But they’re not right for every situation. If you don’t need the punch of a point source, and you want something a little softer, fluorescents might be the answer. This is the third category of lighting units I’m covering in my Know Your Lights series; back up to the overview if you want to start from the beginning.