Filmmaking is a storytelling process. But what do you do when you can’t find the right story to tell? Sometimes it’s just a matter of getting out there and letting the story come to you. As a filmmaker, there’s nothing more frustrating than feeling like you don’t have a story to tell. When I was a kid, this wasn't a problem. Back then, I made movies for the pure joy of it. I wasn't thinking ahead to the third act. The stories just happened, one moment after another.
DIY Interview Lighting: Tricks Learned Behind the Scenes of Ren (Article/Tutorial)
Shooting interviews is a great way for a cinematographer to learn to light. I figured out loads about how human faces react to light of different kinds from years of experimenting on the talking heads in corporate videos. And because those interviews were often long and dull, there was plenty of opportunity to evaluate my lighting as I relaxed behind my locked-off camera.
Horror Revealed Through Blackmagic: Intelligent Creatures Uses Fusion Studio For ‘The Witch’ (Industry Press Release)
Blackmagic Design announced today that Intelligent Creatures used Fusion Studio on the highly acclaimed horror film “The Witch.” Led by Compositing Supervisor Eric Doiron and VFX Supervisor Geoff Scott, the Toronto-based post house used Fusion Studio as its main software for all of the film’s VFX. In addition, Intelligent Creatures used DaVinci Resolve Studio to pull VFX plates and do selective color grading during its VFX sequences.
The Wizards of Aus: MicroBudget VFX with Mocha (Retrospective/Industry)
The Wizards of Aus is a witty fish-out-of-water comedic TV series that follows Jack, a Gandalf-type wizard, who decides to leave a wannabe Middle Earth to live a normal low key life in the human realm. What could go wrong?
Light in Hard Time: Illuminating a Medieval Prison Cell (Article/Tutorial)
It was a classic prison cell scene, one of those shaft-of-light-through-the-barred-window jobbies. Amanda Stekly and her team did a great job of creating a two-walled set with moss, wet stone and even real snails. Outside the window was a platform to sell the illusion that the cell was below ground level.
Taking More of Ren’s Secrets: 5 Tips for Successful Pick-ups (Article/Tutorial)
Recently I’ve been involved in pick-ups shoots for a couple of projects I lensed last year: action-comedy feature The Gong Fu Connection and fantasy series Ren. Both pick-up shoots were strange experiences, featuring some very familiar aspects of the original shoot – locations, sets, costumes – but noticeably lacking others – certain actors, crew members and so on. The Ren pick-ups in particular were like re-living principal photography in microcosm, with stressful crowd shoots followed by more relaxed, smaller scenes and finally night shots with flaming arrows again!