Back in 2014, Red Giant launched Universe, a reasonably priced, subscription-based, set of effects and transitions compatible with most popular editing and graphics software. Recently they’ve launched the 2.0 update to the plugins, which includes 4 new effects as well as 29 updates to existing ones. So we figured it’s time to take another look!
Creating Scares: Chatting with Shudder Labs’ Sam Zimmerman (Interview)
As a huge horror fan, I was pretty intrigued when I saw Shudder pop up on Amazon as an optional subscription service. The catalog of films available for streaming immediately impressed me – it goes leaps and bounds beyond Netflix in terms of actual quality films that a horror fan would want to see.
PluralEyes 4 (Software Review)
PluralEyes has been a staple of my workflow for a few years now. If you’re still manually syncing multiple camera angles, or separately recorded audio tracks to your video, you’re probably wasting a ton of time. With PluralEyes, you’re spending less time syncing and more time editing.
Adobe Creative Cloud: IBC Updates (Preview)
Those Creative Cloud updates keep on coming, and at this years’ IBC, Adobe announced the new features that will have everyone in post production pressing the “download” button.
Magic Bullet Suite 12 (Software Review)
Publisher: Red Giant
Website: Redgiant.com
Platform: PC & Mac
x32/x64: x32 & x64
Description: Effects Plugins
Purchase/Rent: Purchase
Pricing: $799 (full), $399 (academic), $199 (upgrade)
Demo: Click Here
Expected Release: Available Now
Review Issue: #110 (05/15)
Reviewed By: Mark Colegrove
Final Score: 9.0 (out of 10)
Last fall, we delved into Red Giant’s Shooter Suite, a suite of products all centered around production (offloading footage, logging, etc).
Now it’s time to delve into the latest version of Red Giant’s Magic Bullet Suite, which is a bundle of plugins designed to help you along the post-production side of the fence –more specifically in finishing and color correcting your footage. Included in this bundle of products are the latest versions of Looks, Colorista, Film, Mojo & Cosmo as well as the existing versions of Denoiser and LUT Buddy. For this review, I’ll be taking a look at the Premiere Pro/After Effects version.