Anyone who has gone to film school would immediately see my quest as folly and be able to list dozens of reasons why a one character film was a poor cinematic choice. What's great is that I never went to film school. What's even greater is that once I decided on a one character film, I thought “what if I make a one location film?” “What if it was an entire film that was one setup, a single shot with multiple angles?” “How, by narrowing a story to its simplest could I explore greater creativity?” This is also the point where I crossed feature-length off the list. This idea of painting yourself into a box...